THE MYTH
The reference to the past, in some ways also romantic, is actually the prerequisite for signalizing the ethical decadence of one’s own time, torn apart and tormented by two world wars, and later on gone amuck by the invasion of goods, then shipwrecked adrift the immense plastic islands floating in the waters around the still lands. Aldo Pallanza is a man of the twentieth century, aware of the sudden changes taking place that affect the scale of secular values,irretrievably altered by consumerism.
1996 35×30 Eguaglianza
1996 35×30 Gemellaggio storico (1)
1996 35×30 Vestali 2
1996 35×30 Vestali
1996 40×35 Congiura
1996 40×35 Re e Regnante
1996 40×35 Satrapo
1996 50×40 Evocazione
1996 50×40 Il passato
1996 50×40 Catacombe
1996 56×46 Demoni
1996 56×46 L_antico appuntamento
1996 60×50 Cariatide
1996 60×50 Frontale posteriore interiore
1996 60×50 Prova d_orchestra
1996 80×90 Il giardino delle fate
1997 46×56 sensazione 7364
1997 70×90 Specchio
1992 50×60 azione 6592
1998 50×70 percezione 4267
2003 45×30 riflessione 1435