THE FEMININE

Between 1902 and 1907 Gustav Klimt composed with the The Beethoven Frieze, Water Serpents, Portrait of Adele Bloch Bauer some of his masterpieces, introducing a new vision of the feminine face and body in the history of Art.It was, after all, a question of representing nota codified reality but the essence of the presence of women in human events, which becomes an intrusive sensation even in the absence of aconcrete model. Aldo Pallanza, who throughout his life designed elegant women’s garments for the high fashion footwear, as a careful observer of the developments of twentieth-century art,certainly did not miss the lesson of the great Austrian painter.